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Soumen Bhowmick
Soumen Bhowmick founded Pollen Dots in 2024 to plan journeys across India and Bhutan. He works in the Commercial Department of Indian Railways, where he has been since 2000. From 2016 to 2020 he was Head of Business Development and Partnerships at ScoutMyTrip, a community-driven road trip planning platform. There he built a nationwide network of local Scouts who helped travellers on the road, and grew the Road Trippers Club to 16 Indian cities. As a core member of Devil On Wheels, he helped travellers plan Himalayan trips and started Spreading Smiles. He has driven solo from Arunachal to Goa and from Himachal to Karnataka, and has run his own caravan for more than ten years. His photographs have won national and international salon awards, and his writing has appeared in Outlook Traveller.
Blue pottery is the first thing to understand about what to buy in Rajasthan, because it contains no clay at all. It is a frit of quartz powder, ground glass, fuller's earth, borax and gum, closer to Egyptian faience than to anything thrown on a wheel. Block prints, bandhani cloth and blue tiles are the rest of it, and what a printed metre is worth in a Jaipur shop depends on which village made it.
Everything here travels home as luggage, usually by air out of Jaipur or Udaipur. The guide to preparing for travelling in India holds the baggage side, and the rest is about what is worth the weight.
Grouped by craft, and by whether the thing is made where you are standing.
Both are hand block prints from villages near Jaipur, and both took a Geographical Indication tag in 2024. The difference is the ground the pattern sits on.
The GI tag is recent and it matters for one practical reason. A great deal of what is sold as Bagru or Sanganeri in city emporia is screen printed elsewhere, and the mark is now the only thing separating the two in a shop window.
The blue-glaze technique reached India from Persia and Central Asia with the Turkic conquests of the fourteenth century, and Jaipur had all but lost it by the 1950s. It is made without clay, which is the first thing to know before buying any of it.
Bandhani is tied in dots and leheriya is rolled and tied in diagonals, and the two are often sold under one word. The number of tie points is the price.
Each city holds a different craft and the emporia hold all of them at a markup. Buying at the workshop is the difference.
Short list, and two of these are legal rather than aesthetic.
Most of the money in Rajasthan's crafts leaves the state with a middleman rather than the maker, which is why the village workshop is worth the detour from the emporium. Our eleven day journey through Marwar and the Thar Desert runs through the towns where the cloth is actually printed and tied. Customised tours is where workshop stops get built into a route rather than bolted on. What travellers say about buying well and what they do are not always the same thing.
No, and that is the unusual thing about it. The dough is quartz stone powder, powdered glass, multani mitti, borax and gum, which makes it a ceramic frit rather than pottery. It is fired at a low temperature, so it chips easily and travels badly in a soft bag.
Both are hand block prints from villages near Jaipur and both received a GI tag in 2024. Bagru uses natural dyes and the dabu mud-resist method, giving earthier colours on a dyed or off-white ground. Sanganeri is finer floral work traditionally printed on a white ground.
Hand block printed cotton from Bagru or Sanganer, blue pottery tiles and knobs rather than tableware, and hand-tied bandhani still folded with the ties in. Kota doria and carved stone inlay both travel well. Buying at the workshop rather than the emporium is what changes the price and the maker's share.
Johari Bazaar for cloth and stones, and the villages of Bagru and Sanganer for block prints at the source. Blue pottery is best bought at a working studio rather than a shop. Government emporia are fixed price and honest, and they are the right answer if you have one afternoon.
Not freely. Anything over a hundred years old is controlled under Indian antiquities law and needs clearance from the Archaeological Survey of India. The practical rule is to avoid buying old objects at all, because the certificate is the seller's responsibility and is often not produced.